Tag Archives: writing workshop

Crowded with letters – writing workshop

13 May

In the Festival Writing Workshop, Alice Jolly shares the elements of a compelling story: detail, viewpoint, structure and editing.

It is an excellent introduction to fiction and memoir writing on the last day of Swindon Festival of Literature. Usually by this point, winter has moved to summer and Lower Shaw Farm is the first to trap the rays. Sun on the Sunday previous baked both kids and adults at the Children and Family Day, but today a chilly wind is on the menu.

No matter. Inside the converted shed, teachers, civil servants, retired people, mums and dad warm up with homemade soup and flapjacks and hone our prose. Some have never written before, some are already published, so it will be a challenge for Alice to teach to that range.

DETAILS are introduced with two poems: Handbag by Ruth Fainlight (‘My mother’s old leather handbag / crowded with letters she carried / all through the war‘) and Death of a Peasant by Welsh poet, R. S. Thomas (‘Lonely as an ewe that is sick to lamb‘). The key is picking ‘one detail which will create a much wider world,’ says Alice. Both poems engage all five senses – it is so easy to linger on the observations of sight and forget the other ways we absorb a scene, a story and make memories. ‘Show not tell’. Make the reader feel the sadness of the character, don’t tell the reader a character is sad. Continue reading

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Wild writing

18 May
Isn't Lower Shaw Farm pretty?

Isn’t Lower Shaw Farm pretty? Photo (C) Festival Chronicle.

Us chroniclers love an event leader who gives good quote.

Bridget Holding’s workshop was one of well-honed analogies, thoughtful phrases and stimulating prompts.

Her writing hook is wild. “Nature is a brilliant resource – it’s very living, it helps writing to become alive. It grounds ourselves,” said Bridget. And ‘new’ nature writing is very now – such as Amy Liptrot and The Outrun, as featured earlier in the Swindon Festival of Literature.

She explained what she meant: ‘writing is like tracking a wild animal’. An animal exists in its environment; it uses its senses. It has a physical bodily reaction with broad body sensations which intensify into emotions. Emotion is there to deal with a threat, leading to action. This will create powerful writing, lighting up the brain’s neurons, helping the reader live in your world, not simply look at it. Continue reading

Damn fine words – writing workshop with Matt Harvey at the Swindon Festival of Literature

17 May
Writing workshop with Matt Harvey

Writing workshop with Matt Harvey

Matt Harvey’s writing workshop yesterday was a lesson, not just in writing, but how to run a writing course. We had three and a half hours to learn. I felt sympathy for Matt when we introduced ourselves, a proper mixed ability class.

There were published poets and Karen, a novelist with an agent. There were also people who hadn’t written since school; for Lucy that was twenty years ago. That’s one diverse crowd to cater for in a single workshop.

But the great thing about writing is that a person becomes a writer when they write. Whatever inspires a person – with a pen, pencil or finger to put it to paper or electronic device and create words – is job done. Continue reading

Of chickens and beards. Writers Workshop at Swindon Festival of Literature

20 May
Chicken going about her business at Lower Shaw Farm ©Calyx Pictures

Chicken going about her business at Lower Shaw Farm ©Calyx Pictures

Aims of a lit fest:

  1. Meet writers
  2. Hear about writing
  3. Think about what’s been written about
  4. Do your own writing
  5. Work out what to do with your own writing so others can
  6. Go back to number 1.

I’d done numbers one to three (a lot) and written (a lot) about the experience. Now it was time to come up with my own composition. Which was, as it turns out, something to do with chickens and beards. Continue reading