Tag Archives: writing workshop

A witty and articulate host, delivering a splendid writing workshop

19 May

She steps down from the carriage into the yard. Behind the snort of horses and whispers of wind, there is silence. It clings to the branches of the trees, hides in the hedges and the nooks of walls…

So begins The Huntingfield Paintress (Pamela Holmes’ first novel). And my day at Lower Shaw Farm begins in exactly the same way. Arriving early for Pamela’s workshop, I find the farm crowded with silence. The only activity comes from three ducks. The trio quack their way around a corner, briefly inspect my shoes – presumably to check my shoelaces are not made of bread – then waddle away to attend to some undoubtedly serious duck-business elsewhere.

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What the kenning? – Matt Harvey, writing workshop

21 May

Matt Harvey at the Festival Finale

Matt Harvey at the Festival Finale

Kenning, according to Matt Harvey, is a way of describing things and their function through creative language and metaphor.

Make sense? No, me neither at first. But, as he explained further it did, with his sharing of work and examples along the way: blood as battle dew, clouds as God’s pocket fluff, and slugs as soft-horned invisigoths.

It is a process that is taught to children. Books are even written about it: Valerie Blooms’  Things to do with Kids Kennings an example of one Matt explained. And, it was to be an important part of our first task. This was a workshop after all; a fact which I had appeared to have forgotten over a leisurely lunch and a spell in the sunshine in the serene surroundings of Lower Shaw Farm. Continue reading

Crowded with letters – writing workshop

13 May

In the Festival Writing Workshop, Alice Jolly shares the elements of a compelling story: detail, viewpoint, structure and editing.

It is an excellent introduction to fiction and memoir writing on the last day of Swindon Festival of Literature. Usually by this point, winter has moved to summer and Lower Shaw Farm is the first to trap the rays. Sun on the Sunday previous baked both kids and adults at the Children and Family Day, but today a chilly wind is on the menu.

No matter. Inside the converted shed, teachers, civil servants, retired people, mums and dad warm up with homemade soup and flapjacks and hone our prose. Some have never written before, some are already published, so it will be a challenge for Alice to teach to that range.

DETAILS are introduced with two poems: Handbag by Ruth Fainlight (‘My mother’s old leather handbag / crowded with letters she carried / all through the war‘) and Death of a Peasant by Welsh poet, R. S. Thomas (‘Lonely as an ewe that is sick to lamb‘). The key is picking ‘one detail which will create a much wider world,’ says Alice. Both poems engage all five senses – it is so easy to linger on the observations of sight and forget the other ways we absorb a scene, a story and make memories. ‘Show not tell’. Make the reader feel the sadness of the character, don’t tell the reader a character is sad. Continue reading

Wild writing

18 May

Isn't Lower Shaw Farm pretty?

Isn’t Lower Shaw Farm pretty? Photo (C) Festival Chronicle.

Us chroniclers love an event leader who gives good quote.

Bridget Holding’s workshop was one of well-honed analogies, thoughtful phrases and stimulating prompts.

Her writing hook is wild. “Nature is a brilliant resource – it’s very living, it helps writing to become alive. It grounds ourselves,” said Bridget. And ‘new’ nature writing is very now – such as Amy Liptrot and The Outrun, as featured earlier in the Swindon Festival of Literature.

She explained what she meant: ‘writing is like tracking a wild animal’. An animal exists in its environment; it uses its senses. It has a physical bodily reaction with broad body sensations which intensify into emotions. Emotion is there to deal with a threat, leading to action. This will create powerful writing, lighting up the brain’s neurons, helping the reader live in your world, not simply look at it. Continue reading

Damn fine words – writing workshop with Matt Harvey at the Swindon Festival of Literature

17 May

Writing workshop with Matt Harvey

Writing workshop with Matt Harvey

Matt Harvey’s writing workshop yesterday was a lesson, not just in writing, but how to run a writing course. We had three and a half hours to learn. I felt sympathy for Matt when we introduced ourselves, a proper mixed ability class.

There were published poets and Karen, a novelist with an agent. There were also people who hadn’t written since school; for Lucy that was twenty years ago. That’s one diverse crowd to cater for in a single workshop.

But the great thing about writing is that a person becomes a writer when they write. Whatever inspires a person – with a pen, pencil or finger to put it to paper or electronic device and create words – is job done. Continue reading

Of chickens and beards. Writers Workshop at Swindon Festival of Literature

20 May

Chicken going about her business at Lower Shaw Farm ©Calyx Pictures

Chicken going about her business at Lower Shaw Farm ©Calyx Pictures

Aims of a lit fest:

  1. Meet writers
  2. Hear about writing
  3. Think about what’s been written about
  4. Do your own writing
  5. Work out what to do with your own writing so others can
  6. Go back to number 1.

I’d done numbers one to three (a lot) and written (a lot) about the experience. Now it was time to come up with my own composition. Which was, as it turns out, something to do with chickens and beards. Continue reading